Ad Astra: Graphic Signalling in the Acrostic Hymn of Nebuchadnezzar II (BM 55469)Open Access

Schmidl, Martina

Research article (journal) | Peer reviewed

Abstract

This article examines two orthographic features in the Acrostic Hymn of Nebuchadnezzar II. It aims to show that the text makes use of the possibilities of the cuneiform writing system to create various levels of meaning. The first example clarifies structure and content with regard to a difficult passage in the fourth and last stanza of the text, in which a possible change of actors is indicated by an orthographic feature. The second example shows how orthography is used in the first stanza of the text to augment its message. These examples demonstrate how structural elements and micro-features such as orthography were used creatively to enhance the message of the hymn.

Details about the publication

JournalAltorientalische Forschungen
Volume48
Issue2
Page range318-326
StatusPublished
Release year2021
Language in which the publication is writtenEnglish
DOI10.1515/aofo-2021-0021
Link to the full texthttps://www.degruyter.com/document/doi/10.1515/aofo-2021-0021/html
Keywordsorthography; acrostic; Acrostic Hymn of Nebuchadnezzar II; construction of meaning; Nabû; Marduk; Babylonia; literature

Authors from the University of Münster

Schmidl, Martina
Professorship of Ancient Near Eastern Studies (Prof. Kleber)