Ehefrau, (Gottes-)Mutter und Transzendenzmetapher: Die Funktionen der Frauenfiguren in den Filmen Andrej Tarkovskijs [Wife, Mother (of God), Metaphor of Transcendence The Functions of Female Characters in Andrei Tarkovsky’s Films]Open Access

Peschanskyi, Valentin

Research article (journal) | Peer reviewed

Details about the publication

JournalApparatus. Film, Media and Digital Cultures of Central and Eastern Europe (Apparatus)
Volume21
StatusPublished
Release year2025
DOI10.17892/app.2025.00021.408
Link to the full texthttps://www.apparatusjournal.net/index.php/apparatus/article/view/408/730
KeywordsAndrej Tarkovskij, Marija Tarkovskaja-Višnjakova, Irma Rauš, Larisa Tarkovskaja, Sowjetunion, Italien, Schweden, Ubijcy, Segodnja uvol’nenija ne budet…, Katok i skripka, Ivanovo detstvo, Andrej Rublev, Soljaris, Zerkalo, Stalker, Tempo di viaggio, Nostalghia, Offret, Motivkomplex, Gender, Weiblichkeitsrollen, Bild, Ikone, Intertextualität, Intermedialität, Autofiktion, autobiografischer Index, Dichotomien, existentielles Extrem.

Authors from the University of Münster

Peschanskyi, Valentin
Professorship for Slavic Studies (Prof. Wutsdorff)